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Crowdz is a global commerce platform with a local perspective. We believe in supporting the growth of local communities through commerce.

Our purpose is to create a community around commerce by building relationships not only between mobile buyers and local businesses but also from peer-to-peer.

Through Crowdz’s mobile commerce application, we are able to provide the best value on local products and services by leveraging the power of crowd buying.

The platform works by pooling together the community and developing micro economies of scale. [The more people purchase the same products as you, the more money is credited back to you. It’s that simple.]

Crowdz is the only mobile commerce platform that empowers both local residents and local businesses.

We do this through:

- Local Leaderz: A program that empowers local residents by giving them a percentage of sales from every small-medium local business that they bring to the Crowdz Marketplace.

- Crowd Buying: Opertates on the concept of economies of scale. The more people purchase a given product or service the more money you get back in your pocket.

- Rewardz: The money you get back from the power of crowd buying can be used either to donate to local charities of your choice or into future purchases – just like credit credit reward points

Some testimonies from users:

“New application that allows individuals to buy through other individuals to benefit and get a better deal”

“It is a win-win situation, we increase revenue to sellers and decrease cost of sales to buyers”

The real benefits, however, are the intangible ones we all love, like a truly personal shopping experience and the satisfaction of giving back to your community. Now imagine, all of this goodness right in the palm of your hand…that’s where Crowdz comes in.

Crowdz is a mobile commerce app that allows you to shop from local sellers in communities around the world, all from the convenience of your mobile phone.

The Great Gildersleeve (1941–1957), initially written by Leonard Lewis Levinson, was one of broadcast history’s earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show’s popularity.

On Fibber McGee and Molly, Peary’s Gildersleeve was a pompous windbag who became a consistent McGee nemesis. “You’re a haa-aa-aa-aard man, McGee!” became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of “Gildersleeve’s Diary” on the Fibber McGee and Molly series (Oct. 22, 1940).

He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary’s Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.

Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees’ Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law’s estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.

In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings’ children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (“If you want a better corset, of course, it’s a Gildersleeve”) and then for the bulk of the show’s run, serving as Summerfield’s water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve’s now slightly understated pomposity.

Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible’s Sing-Along Blog).

The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.

http://en.wikipedia.org/wiki/Great_Gildersleeve